
Teri Rueb and Carmelita Topaha
I’ve been traveling through the Navajo Nation for the past two days doing research for a public art project, and during this time connected with my friend and fellow artist Teri Rueb and she introduced me to her collaborator, Navajo archaeologist and artist Carmelita Topaha. Yesterday Carmeilita generously took the time to show us some sacred places here including Fort Defiance, Window Rock and an incredible drive over the mountains through Crystal.

Carmelita and Teri at Fort Defiance, the place from which over 9000 Navajos were forced to leave on a long journey to Fort Sumner and permanently relocated. At Defiance, Carmelita shared some of the stories of her ancestors on the long walk that she was told as a child.
Carmelita is the granddaughter of Hosteen Klah, a famous Navajo medicine man. Frances Newcomb worked extensively with Klah in the 60′s and 70′s and published some of his stories in many books including Hosteen Klah: Navaho Medicine Man and Sand Painter. Because of Newcomb’s relationship with Klah, there is a place in Navajo Nation called Newcomb, and this is where Carmelita is from originally, although she spent many years in California and across the Southwest.
Carmelita and others told me about the political and bureaucratic difficulties and complexities of the reservation structure from a Navajo perspective. For example, she said that the Tribal Councils that were put in place by the US government to allow more effective communication between the two sovereign nations creates conflicts because the council forces a Western linear thinking, while the Navajo way of thinking is non-linear. Some also say the councils were put in place to make it easier for the US government to exploit native mineral and other resources.
While we were headed back to Farmington from Window Rock, we noticed the glowing lights of the APS and 4 Corners power plants in the distance and observed the ever-present plumes from the smoke stacks as they drifted to the South. So, we decided to try to get close and found ourselves almost inside the APS power plant. The plant seemed deserted yet was alive with churning and pumping sound and smoke. These plants will become a subject of the public work I will create in collaboration with Navajo artists Venaya Yazzie and Esther Belin.

The APS power plant, one of two coal-fired power plants that surround Ship Rock